Johann Gottfried Walther: Selected Recordings

Concerto h-moll

Lobe den Herren

Praeludium und Fuge in A

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Johann Gottfried Walther: Complete Works

Ach Gott und Herr
Ach Gott, erhör mein Seufzen und Wehklagen
Christus der ist mein Leben (II)
Concerto in G major
Ein feste burg ist unser Gott
Fugue in F major
Gott der Vater wohn uns bei
Harmonisches Denck- und Danckmahl
Herr Gott, nun schleuß den Himmel auf
Kyrie, Gott Vater in Ewigkeit
Lobe den Herren, den mächtigen König der Ehren
Mach’s mit mir, Gott, nach deiner Güt
Meinem Jesu laß ich nicht
Nun komm der heiden Heiland
Nun lobe meine Seele den Herrn
Prelude and Fugue in A major
Prelude and Fugue in C major
Prelude and Fugue in D minor
Prelude and Fugue in G major
Sämtliche freie Orgelwerke
Toccata and Fugue in C major
Warum sollt ich mich denn grämen

Johann Gottfried Walther: Notes and Commentary

Johann Gottfried Walther, the cousin of Johann Sebastian Bach’s son, was a German music theorist, organist, composer, and lexicographer of the Baroque era. He was most well known as the compiler of the Musicalisches Lexicon (Leipzig, 1732), the first dictionary of musical terms written in the German language and the first to contain terms and biographical information about composers and performers up to the early 18th century. In all, the Musicalisches Lexicon defines more than 3,000 musical terms. Walther is thought to have drawn on more than 250 sources in compiling it, including theoretical treatises of the early Baroque and Renaissance. The single most important source for the work was the writings of Johann Mattheson, who is referenced more than 200 times.

In defining musical composition, Walther described it as a form of mathematical science. “Musica Poetica or musical composition is a mathematical science through which an agreeable and correct harmony of the notes is brought to paper in order that it might later be sung or played, thereby appropriately moving the listeners to Godly devotion as well as to please and delight both mind and soul,” he wrote. “It is so called because the composer must not only understand language as does the poet in order not to violate the meter of the text but because he also writes poetry, namely a melody, thus deserving the title Melopoeta or Melopoeus.”

Walther was the music teacher of Prince Johann Ernst von Sachsen-Weimar. He wrote a handbook for the young prince with the title Praecepta der musicalischen Composition, 1708. It remained handwritten until Peter Benary’s edition (Leipzig, 1955). As an organ composer, Walther became famous for his organ transcriptions of orchestral concertos by contemporary Italian and German masters. He made 14 transcriptions of concertos by Albinoni, Gentili, Taglietti, Giuseppe Torelli, Vivaldi and Telemann. These works were the models for Bach to write his famous transcriptions of concertos by Vivaldi and others. On the other hand, Walther as a city organist of Weimar wrote 132 organ preludes based on Lutheran chorale melodies. He lived from September 18, 1684, to 23 March 23, 1748. —Excerpted from Wikipedia

 

Johann Gottfried Walther: Books and Music

Selected Books
Musikalisches Lexikon oder musikalische Bibliothek
Bärenreiter; First Edition Thus edition (1953)
Johann Gottfried Walther
$199.67 on Amazon

walt4

Selected Music

walt1 Italian String Concertos, 1 CD

walt-2 Complete Organ Music (2015), 12-CD set

walt3 Six Concertos for Organ, 1 LP

More on Johann Gottfried Walther
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Johann Gottfried Walther, 1684-1748

walther

Selected Recordings

Concerto h-moll

Lobe den Herren

Praeludium und Fuge in A

Selected Sheet Music

Ach Gott und Herr

walt5

Source: IMSLP

Showcase Piece

Jesu Meine Freude

Notes and Commentary

Johann Gottfried Walther, the cousin of Johann Sebastian Bach’s son, was a German music theorist, organist, composer, and lexicographer of the Baroque era. He was most well known as the compiler of the Musicalisches Lexicon (Leipzig, 1732), the first dictionary of musical terms written in the German language and the first to contain terms and biographical information about composers and performers up to the early 18th century. In all, the Musicalisches Lexicon defines more than 3,000 musical terms. Walther is thought to have drawn on more than 250 sources in compiling it, including theoretical treatises of the early Baroque and Renaissance. The single most important source for the work was the writings of Johann Mattheson, who is referenced more than 200 times.

In defining musical composition, Walther described it as a form of mathematical science. “Musica Poetica or musical composition is a mathematical science through which an agreeable and correct harmony of the notes is brought to paper in order that it might later be sung or played, thereby appropriately moving the listeners to Godly devotion as well as to please and delight both mind and soul,” he wrote. “It is so called because the composer must not only understand language as does the poet in order not to violate the meter of the text but because he also writes poetry, namely a melody, thus deserving the title Melopoeta or Melopoeus.”

Walther was the music teacher of Prince Johann Ernst von Sachsen-Weimar. He wrote a handbook for the young prince with the title Praecepta der musicalischen Composition, 1708. It remained handwritten until Peter Benary’s edition (Leipzig, 1955). As an organ composer, Walther became famous for his organ transcriptions of orchestral concertos by contemporary Italian and German masters. He made 14 transcriptions of concertos by Albinoni, Gentili, Taglietti, Giuseppe Torelli, Vivaldi and Telemann. These works were the models for Bach to write his famous transcriptions of concertos by Vivaldi and others. On the other hand, Walther as a city organist of Weimar wrote 132 organ preludes based on Lutheran chorale melodies. He lived from September 18, 1684, to 23 March 23, 1748. —Excerpted from Wikipedia

Books and Music

Selected Books
Musikalisches Lexikon oder musikalische Bibliothek
Bärenreiter; First Edition Thus edition (1953)
Johann Gottfried Walther
$199.67 on Amazon

walt4

Selected Music

walt1 Italian String Concertos, 1 CD

walt-2 Complete Organ Music (2015), 12-CD set

walt3 Six Concertos for Organ, 1 LP

Complete Works

Ach Gott und Herr
Ach Gott, erhör mein Seufzen und Wehklagen
Christus der ist mein Leben (II)
Concerto in G major
Ein feste burg ist unser Gott
Fugue in F major
Gott der Vater wohn uns bei
Harmonisches Denck- und Danckmahl
Herr Gott, nun schleuß den Himmel auf
Kyrie, Gott Vater in Ewigkeit
Lobe den Herren, den mächtigen König der Ehren
Mach’s mit mir, Gott, nach deiner Güt
Meinem Jesu laß ich nicht
Nun komm der heiden Heiland
Nun lobe meine Seele den Herrn
Prelude and Fugue in A major
Prelude and Fugue in C major
Prelude and Fugue in D minor
Prelude and Fugue in G major
Sämtliche freie Orgelwerke
Toccata and Fugue in C major
Warum sollt ich mich denn grämen

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Jean-Marie Leclair: Complete Works

Op. 1 No. 1 – Violin Sonata in A minor
Op. 1 No. 2 – Violin Sonata in C major
Op. 1 No. 3 – Violin Sonata in B flat major
Op. 1 No. 4 – Violin Sonata in D major
Op. 1 No. 5 – Violin Sonata in G major
Op. 1 No. 6 – Violin Sonata in E minor
Op. 1 No. 7 – Violin Sonata in F major
Op. 1 No. 8 – Violin Sonata in G major
Op. 1 No. 9 – Violin Sonata in A major
Op. 1 No. 10 – Violin Sonata in D major
Op. 1 No. 11 – Violin Sonata in B flat major
Op. 1 No. 12 – Violin Sonata in B minor
Op. 2 No. 1 – Violin Sonata in E minor
Op. 2 No. 2 – Violin Sonata in F major
Op. 2 No. 3 – Violin Sonata in C major
Op. 2 No. 4 – Violin Sonata in A major
Op. 2 No. 5 – Violin Sonata in G major
Op. 2 No. 6 – Violin Sonata in D major
Op. 2 No. 7 – Violin Sonata in B flat major
Op. 2 No. 8 – Violin Sonata in D major
Op. 2 No. 9 – Violin Sonata in E major
Op. 2 No. 10 – Violin Sonata in C minor
Op. 2 No. 11 – Violin Sonata in B minor
Op. 2 No. 12 – Violin Sonata in G minor
Op. 3 No. 1 – Sonata for 2 violins in G major
Op. 3 No. 2 – Sonata for 2 violins in A major
Op. 3 No. 3 – Sonata for 2 violins in C major
Op. 3 No. 4 – Sonata for 2 violins in F major
Op. 3 No. 5 – Sonata for 2 violins in E minor
Op. 3 No. 6 – Sonata for 2 violins in D major
Op. 4 No. 1 – Trio for 2 violins & continuo in D minor
Op. 4 No. 2 – Trio for 2 violins & continuo in B flat major
Op. 4 No. 3 – Trio for 2 violins & continuo in D minor
Op. 4 No. 4 – Trio for 2 violins & continuo in F major
Op. 4 No. 5 – Trio for 2 violins & continuo in G minor
Op. 4 No. 6 – Trio for 2 violins & continuo in A major
Op. 5 No. 1 – Violin Sonata in A major
Op. 5 No. 2 – Violin Sonata in F major
Op. 5 No. 3 – Violin Sonata in E minor
Op. 5 No. 4 – Violin Sonata in B flat major
Op. 5 No. 5 – Violin Sonata in B minor
Op. 5 No. 6 – Violin Sonata in C minor
Op. 5 No. 7 – Violin Sonata in A minor
Op. 5 No. 8 – Violin Sonata in D major
Op. 5 No. 9 – Violin Sonata in E major
Op. 5 No. 10 – Violin Sonata in C major
Op. 5 No. 11 – Violin Sonata in G minor
Op. 5 No. 12 – Violin Sonata in G major
Op. 6 – Récréation de musique in D major
Op. 7 No. 1 – Violin Concerto in D minor (1737 homotonal, with all movements in D minor)
Op. 7 No. 2 – Violin Concerto in D major
Op. 7 No. 3 – Violin Concerto in C major
Op. 7 No. 4 – Violin Concerto in F major
Op. 7 No. 5 – Violin Concerto in A minor
Op. 7 No. 6 – Violin Concerto in A major
Op. 8 – Récréation de musique in G minor
Op. 9 No. 1 – Violin Sonata in A major
Op. 9 No. 2 – Violin Sonata in E minor
Op. 9 No. 3 – Violin Sonata in D major
Op. 9 No. 4 – Violin Sonata in A major
Op. 9 No. 5 – Violin Sonata in A minor
Op. 9 No. 6 – Violin Sonata in D major
Op. 9 No. 7 – Violin Sonata in G major
Op. 9 No. 8 – Violin Sonata in C major
Op. 9 No. 9 – Violin Sonata in E flat major
Op. 9 No. 10 – Violin Sonata in F sharp minor
Op. 9 No. 11 – Violin Sonata in G minor
Op. 9 No. 12 – Violin Sonata in G major
Op. 10 No. 1 – Violin Concerto in B flat major
Op. 10 No. 2 – Violin Concerto in A major
Op. 10 No. 3 – Violin Concerto in D major
Op. 10 No. 4 – Violin Concerto in F major
Op. 10 No. 5 – Violin Concerto in E minor
Op. 10 No. 6 – Violin Concerto in G minor
Op. 11 – Scylla et Glaucus, tragédie en musique with prologue and five acts (opera, fp. 1746)
Op. 12 No. 1 – Sonata for 2 violins in B minor
Op. 12 No. 2 – Sonata for 2 violins in E major
Op. 12 No. 3 – Sonata for 2 violins in D major
Op. 12 No. 4 – Sonata for 2 violins in A major
Op. 12 No. 5 – Sonata for 2 violins in G minor
Op. 12 No. 6 – Sonata for 2 violins in B flat major
Divertissement for Le danger des épreuves, a 1 act comedy given at the Duke of Gramont’s theatre at Puteaux on 19 June 1749 [lost]
Apollon et Climène, second entrée of Les amusements lyriques, given at the Duke of Gramont’s theatre at Puteaux, in February 1750 [lost]
Incidental airs and dances for various theatrical productions (1751–1764) [lost]
Op. 13 No. 1 – Ouvertura for 2 violins & continuo in G major
Op. 13 No. 2 – Trio for 2 violins & continuo in D major
Op. 13 No. 3 – Ouvertura for 2 violins & continuo in D major
Op. 13 No. 4 – Trio for 2 violins & continuo in B minor
Op. 13 No. 5 – Ouvertura for 2 violins & continuo in A major
Op. 13 No. 6 – Trio for 2 violins & continuo in G minor
Op. 14 – Trio for 2 violins & continuo in A major
Op. 15 – Violin Sonata in F major
Source: Wikipedia

Jean-Marie Leclair Books and Music
More on Jean-Marie Leclair
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Jean-Marie Leclair: Notes and Commentary

Jean-Marie Leclair, also known as Jean-Marie Leclair the Elder, was a Baroque violinist and composer. He is considered to have founded the French violin school. He drew upon all of Europe’s national styles. Many suites, sonatas, and concertos survive along with his opera, while some vocal works, ballets, and other stage music is lost. He was born in Lyon, left to study dance and the violin in Turin, and moved to Paris in 1723, where he played at the Concert Spirituel, the main semi-public music series. In 1733, he was named ordinaire de la musique by Louis XV, a post he resigned in 1737. A year later he was engaged by the Princess of Orange—himself a fine harpsichordist and former student of Handel—and from 1738 until 1743, he served three months annually at her court in Leeuwarden, working in The Hague as a private maestro di cappella. He returned to Paris in 1743. His only opera, Scylla et Glaucus, was first performed in 1746 and has been revived in modern times. From 1740 until his death in Paris, he served the Duke of Gramont, in whose private theatre at Puteaux were staged works to which Leclair is known to have contributed. They included, in particular, a lengthy divertissement for the comedy Les danger des épreuves (1749) and one complete entrée, Apollon et Climène, for the opéra-ballet by various authors, Les amusemens lyriques (1750). He lived from May 10, 1697, to October 22, 1764.—Excerpted from Wikipedia

Jean-Marie Leclair Books and Music
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