Heinrich Ignaz Franz Biber is widely considered one of the most important composers for the violin in the Baroque era, with his innovations in tuning and fingering. It’s hard not to listen to his work without appreciating his virtuosity. But his Austrian contemporary, Johann Heinrich Schmelzer, with whom some scholars think Biber studied, certainly gives him a run for the money. And yet Schmelzer is hardly known even among Baroque music aficianados. It’s a mystery as mysterious as, well, Biber’s “Mystery Sonata.”
Before Biber came to prominence, Schmelzer helped establish the violin sonata outside of Italy. Arguably his most important work is the “Sonatae unarum fidium” of 1664. It was the first collection of sonatas for violin and basso continuo published outside of Italy and showcases some of Schmelzer’s finest work. The English violinist John Holloway has a lively and fresh take on the collection in a 2000 recording. The CD also contains an almost jazzy version of “Chiacona in A” by Antonio Bertali.
Some random impressions of Schmelzer’s music pulled from Amazon:
“Some of the most lyrical and beautiful writing that I have come across. You can hear through Schmelzer’s music the basis on which much of Biber is founded.”—Anonymous
“Most melodious violin sonatas I have ever heard.”—Y. Dai “abubblingegg”
“Beautiful, lyrical, haunting,”—Karen G.
“Schmelzer is revealed as a major composer, his violin sonatas exquisite gems.”—Victor Rodriguez Viera
“Intricate, somewhat experimental, and highly emotive expression.”—Alan Lekan
“Great virtuosity, with hauntingly sweet, slow passages.”—Anonymous
“Picks up where Biber left off, giving the sonata a fun and exhilerating Turkish concept.”—dolcissima2780
“Pulls you into the smooth waves of an ocean. . . . Exciting, fresh, poised.”—Dirkk
Some suggested listening:
“Sonata Quarta in D Major from Sonatae Unarum Fidium”
“Sonata III in G minor”
“Sonata IV a sei”