Vittoria Aleotti: Selected Recordings

Io v’amo vita mia

Se del tuo corpo

Angelus ad pastores ait

Vittoria Aleotti Books and Music
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Vittoria Aleotti: Notes and Commentary

Vittoria Aleotti is believed to be the same as Raffaella Aleotti, an Italian Augustinian nun, composer, and organist. She was born in Ferrara to the prominent architect Giovanni Battista Aleotti, and was mentioned in his will, written in 1631. According to her father, Vittoria became interested in music after listening to her older sister being taught music. Within a year, Vittoria had mastered instruments, mainly the harpsichord, and voice so well that she was sent to train with Alessandro Milleville and Ercole Pasquini. At the age of 6 or 7, after working with Pasquini, it was suggested that Vittoria be sent to Ferrara’s San Vito, a convent famous for fostering musical talents. By the age of 14, Vittoria chose to enter the convent and dedicate her life to service. Raffaella was renowned for her skills at the organ and also well known in playing other instruments such as the harpsichord, the trombone, and other wind instruments. She was relentlessly praised by Ercole Bottrigari as having the talent and the skills to lead an ensemble of twenty-three nuns; she was also the Maestra at the convent until her death. Raffaella enjoyed complex music and would often use harmony and dissonance to heighten the text. However, she was at times criticized because some thought that as the music became more complex by using more voices, the holiness of the music disappeared and gave way to pleasure. She lived from c. 1575 to sometime after 1620.—Excerpted from Wikipedia
Vittoria Aleotti Books and Music
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Vittoria Aleotti, 1575-1620

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Selected Recordings

Io v’amo vita mia

Se del tuo corpo

Angelus ad pastores ait

Selected Sheet Music

Io v’amo vita mia
va
Source: IMSLP

Showcase Piece

Madrigali Spirituali

Notes and Commentary

Vittoria Aleotti is believed to be the same as Raffaella Aleotti, an Italian Augustinian nun, composer, and organist. She was born in Ferrara to the prominent architect Giovanni Battista Aleotti, and was mentioned in his will, written in 1631. According to her father, Vittoria became interested in music after listening to her older sister being taught music. Within a year, Vittoria had mastered instruments, mainly the harpsichord, and voice so well that she was sent to train with Alessandro Milleville and Ercole Pasquini. At the age of 6 or 7, after working with Pasquini, it was suggested that Vittoria be sent to Ferrara’s San Vito, a convent famous for fostering musical talents. By the age of 14, Vittoria chose to enter the convent and dedicate her life to service. Raffaella was renowned for her skills at the organ and also well known in playing other instruments such as the harpsichord, the trombone, and other wind instruments. She was relentlessly praised by Ercole Bottrigari as having the talent and the skills to lead an ensemble of twenty-three nuns; she was also the Maestra at the convent until her death. Raffaella enjoyed complex music and would often use harmony and dissonance to heighten the text. However, she was at times criticized because some thought that as the music became more complex by using more voices, the holiness of the music disappeared and gave way to pleasure. She lived from c. 1575 to sometime after 1620.—Excerpted from Wikipedia

Books and Music

Music
va1 Nuns of San Vito (2007), 1 CD

va2 Hor che la vaga aurora (2011), MP3

va3 Madrigali spirituali, for Guitar (2016), MP3

Complete Works

Io v’amo vita mia ti
Madrigali Spirituali
Per voi lasso conviene
Se del tuo corpo de
Sancta et Immaculata

Other women Baroque composers

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Women Baroque Composers

donnaLucia Quinciani, c.1566-c.1611
Claudia Sessa, c.1570-c.1619
Vittoria Aleotti, c. 1575-after 1620
Sulpitia Cesis, 1577-after 1617
Leonora Duarte, 1610-1678
Barbara Strozzi, 1619-1677
Rosa Giacinta Badalla, 1660-1710
Camilla de Rossi, c.1670-c.1710
Anna Bon, 1739-1767

Other women Baroque composers

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English Baroque Composers
French Baroque Composers
German Baroque Composers
Italian Baroque Composers
Other European Baroque Composers
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